91�鶹������Ʒ����

Icaa's main activity is the design of cinematographic policy. to this end, various lines of aid are launched: grants for the amortization of films, for the production of short films and feature films, for the distribution of feature films and a series of european or ibero-american short films, for the participation of spanish films in film festivals and the holding of film festivals in spain. these competences extend throughout spanish territory, regardless of whether or not the autonomous communities have their own actions which include specific lines of aid. the international dimension is met in a twofold manner: on the one hand, distribution aid makes it possible to achieve a balance in film origin, which otherwise could very possibly be dominated by the us industry. although the recipients are spanish distributors, the producers or rights holders participate in the benefits. thanks to this policy, in 2014 (latest published data), of all the films exhibited in cinemas, 56.63% had their origin in the european union. the other focus of attention is that of international co-productions, encouraged especially through coproduction and partnership agreements between the agencies in charge of cinematographic policies, both bilaterally as well as in multilateral forums. in 2014, in spain, 216 feature films were produced, 42 of which were international co-productions.the aforesaid measures were originally not established for compliance with the 2005 cdc; however, the latter was indeed taken very much into account in the various amendments. in the latest regulatory amendment, in 2015, a “cultural certificate” has been incorporated, issued by the institute of cinematography itself, and is a requisite to be able to obtain aid. in granting the certificate, it is taken into account that the film either “allows for a better knowledge of cultural, social, religious, ethnic, philosophical or anthropological diversity, or that it “is aimed specifically at children or young people